Quantcast
Channel: Store | Jake Runestad
Viewing all 20 articles
Browse latest View live

The Peace of Wild Things

$
0
0

Grand Prize winner in the Young New Yorkers’ Chorus 2014 Composer Competition.

Listen

View the Score

Text

When despair for the world grows in me
and I wake in the night at the least sound
in fear of what my life and my children’s lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.

Text copyright © 2012 by Wendell Berry from New Collected Poems.
Used with permission of Counterpoint Press.


The King of Love

$
0
0

The King of Love was commissioned through the American Composers Forum as a part of the Faith Partners program with funds provided by the Otto Bremer Foundation.

Perusal Score

The King of Love My Shepherd Is

by Henry Williams Baker

The King of love my Shepherd is,
Whose goodness fails me never,
I nothing lack if I am His
And He is mine forever.

Where streams of living water flow
with gentle care He leads me,
And where the verdant pastures grow,
With heavn’ly food He feeds me.

In death’s dark vale I fear no ill
With you, dear Lord, beside me;
Your rod and staff my comfort still,
Your cross before to guide me.

And so through all the length of days
Thy goodness fails me never;
Good Shepherd, may I sing Your praise
Within Your house forever.

Peace Flows Into Me

$
0
0

 

 

Text

 

Peace

by Sara Teasdale

Peace flows into me
As the tide to the pool by the shore;
It is mine forevermore,
It ebbs not back like the sea.
 
I am the pool of blue
That worships the vivid sky;
My hopes were heaven-high,
They are all fulfilled in you.
 
I am the pool of gold
When sunset burns and dies, —
You are my deepening skies,
Give me your stars to hold.

 

View Score


None Other Lamb

$
0
0

None Other Lamb

by Christina Rossetti

None other Lamb, none other Name,
None other hope in Heav’n or earth or sea,
None other hiding place from guilt and shame,
None beside Thee!

My faith burns low, my hope burns low;
Only my heart’s desire cries out in me
By the deep thunder of its want and woe,
Cries out to Thee.

Lord, Thou art Life, though I be dead;
Love’s fire Thou art, however cold I be:
Nor Heav’n have I, nor place to lay my head,
Nor home, but Thee.

Perusal Score

Joyful, Joyful

$
0
0

A soulful setting of Beethoven’s “Ode To Joy” with text by Henry J. van Dyke, this work will allow your choir to groove to one of the most popular melodies in history!

Audio

Coming soon.

View the Score

Text

Joyful, Joyful
Henry J. van Dyke

Joyful, joyful, we adore Thee, God of glory, Lord of love;
Hearts unfold like flowers before Thee, opening to the sun above.
Melt the clouds of sin and sadness; drive the dark of doubt away;
Giver of immortal gladness, fill us with the light of day!

All Thy works with joy surround Thee, earth and heaven reflect Thy rays,
Stars and angels sing around Thee, center of unbroken praise.
Field and forest, vale and mountain, flowery meadow, flashing sea,
Singing bird and flowing fountain call us to rejoice in Thee.

Thou art giving and forgiving, ever blessing, ever blessed,
Wellspring of the joy of living, ocean depth of happy rest!
Thou our Father, Christ our Brother, all who live in love are Thine;
Teach us how to love each other, lift us to the joy divine.

Mortals, join the happy chorus, which the morning stars began;
Father love is reigning o’er us, brother love binds man to man.
Ever singing, march we onward, victors in the midst of strife,
Joyful music leads us Sunward in the triumph song of life.

How Can I Keep From Singing?

$
0
0

Commissioned by soprano Elisabeth Slaten, this works is a setting of the text from the well known hymn How Can I Keep from Singing?

How Can I Keep From Singing?

by Robert Lowry

My life flows on in endless song;
Above earth’s lamentation
I hear the sweet though far off hymn
That hails a new creation:
Through all the tumult and the strife
I hear the music ringing;
It finds an echo in my soul—
How can I keep from singing?

What though my joys and comforts die?
The Lord my Savior liveth;
What though the darkness gather round!
Songs in the night He giveth:
No storm can shake my inmost calm
While to that refuge clinging;
Since Christ is Lord of Heav’n and earth,
How can I keep from singing?

I lift mine eyes; the cloud grows thin;
I see the blue above it;
And day by day this pathway smoothes
Since first I learned to love it:
The peace of Christ makes fresh my heart,
A fountain ever springing:
All things are mine since I am His—
How can I keep from singing?


Dreams of the Fallen

$
0
0

Full scores, choral scores, and instrumental parts are available from the publisher.
Contact us for score purchase and rental information.


Duration: 25:00
Premiere: November 11, 2013. Louisiana Philharmonic Orchestra and the Symphony Chorus of New Orleans. National World War II Museum – New Orleans, LA.
Instrumentation: 2.2.2.2, 4.2.3.1, Timpani +2, Piano, Harp, Strings

Participating Ensembles:
Louisiana Philharmonic Orchestra and the Symphony Chorus of New Orleans (New Orleans, LA)
Dayton Philharmonic Orchestra and Chorus (Dayton, OH)
Rockford Symphony Orchestra and Chorus (Rockford, IL)
Philharmonic of Southern New Jersey (Moorestown, NJ)
Virginia Arts Festival (Norfolk, VA)

Led by new music enthusiast and respected pianist Jeffrey Biegel, a consortium of orchestras was assembled for an exciting new commission of award-winning young composer Jake Runestad. Combining the musical forces of solo piano, chorus, and orchestra with powerful texts written by Iraq War veteran and award-winning poet Brian Turner, the new work explores a soldier’s emotional response to the experience of war.

Media:
NY Times Article about Dreams of the Fallen.
Facebook Group

Potential Concert Program:
Aaron Copland: Fanfare for the Common Man (3 min)
Kevin Puts: …this noble company (6.5 min) (Contact Bill Holab music for rental)
Kevin Puts: Millenium Canons (7.5 min)
Benjamin Britten: Ballad of Heroes (18 min) (Boosey & Hawkes)

– Intermission –

Samuel Barber: Adagio (9 min)
Jake Runestad: Dreams of the Fallen (22 min) (Contact us for rental information)

Education & Outreach:
Biegel, Runestad, and Turner are interested in participating in pre-concert talks and other educational opportunities involved with the creation of the work and its cultural relevance. Ensembles are encouraged to partner with local museums, schools, and military organizations to promote the work and its inspiration: the men and women of our armed services both past and present.

About the Artists:
Jeffrey Biegel, pianist: www.jeffreybiegel.com
Jake Runestad, composer: www.jakerunestad.com
Brian Turner, poet: http://www.brianturner.org

Help support this important project: Donate

Supporting Donors

Major Underwriters:
Louis Leibowitz Charitable Foundation (Mr. & Mrs. Marvin Leibowitz)
Dr. Robert M. Schiff
Mr. and Mrs. Joseph P. Wiegand
Brenda McGrath
Philip Bjorlo

Benefactors:
Coming soon.

Didn’t My Lord Deliver Daniel

$
0
0

A revved-up setting of the traditional African-American Spiritual, “Didn’t My Lord Deliver Daniel” will leave your audience dancing in the aisles! A great concert opener or closer, your choir will love the rousing nature of this arrangement!

Perusal Score


Dereva Ni Mungu

$
0
0

Using a Swahili proverb as the basis for this work, “Dereva Ni Mungu” is a grooving call-and-response style work for choirs of all levels. This energetic piece is a perfect processional or concert closer.
 

Note to All-State & Honor Choirs

If you need to purchase fewer than 16 copies, please contact us and provide the following info:

  • Your Name
  • School
  • # of copies needed
  • If you wish to pay by credit card/PayPal or check

 

Text

Sisi sote abiria, dereva ni Mungu.
(In life we are passangers, God is the driver.)

Listen

SATB Score

TB Score

Come to the Woods

$
0
0

 
Note: Score will be available for purchase in mid-to-late August. Please contact us with any questions.
 
Commissioned by Grammy-winning Conspirare and conductor Craig Hella Johnson.
 

Listen


 

 

View the Score


 

About the Work

Famed Scottish-American naturalist and conservationist John Muir had a giddy, child-like excitement for the natural world. After a youth spent in Scotland and Wisconsin, he found himself transformed by his first visit, around age 30, to California’s Yosemite Valley. With the vast mountainous landscape and the surreal size of the sequoia and redwood trees, these woods captured him and became his playground, his classroom, and his sanctuary.

Muir was an avid “saunterer” and a profound thinker who would venture into the woods for days with a bit of food and a book of Emerson poetry in hand. Inspired by the beauty of the wilderness and a lifelong love for words, Muir penned a vast collection of eloquent and vivid writings. In one quintessentially Muirian account, he is so fascinated by a windstorm that he climbs up a tall Douglas Fir to experience it more intensely.

“Come to the Woods” explores Muir’s inspirations and the transporting peace found in the natural world. Using a collage of fragments from Muir’s writings, the work ventures from the boisterous joy of a “glorious day,” to the quiet whispering of wind, to the rejuvenating power of a storm, to the calming “amber light” when the clouds begin to clear. I hope it captures the self-discovery and sustenance one encounters while exploring the outdoors and its vital importance in our lives. As Muir writes, “I only went out for a walk, and finally concluded to stay out till sundown, for going out, I found, was really going in.”
 

Text

Come to the Woods

Another glorious day, the air as delicious
to the lungs as nectar to the tongue.

The day was full of sparkling sunshine,
and at the same time enlivened with one of
the most bracing wind storms.

The mountain winds bless the forests with love.
They touch every tree, not one is forgotten.

When the storm began to sound,
I pushed out into the woods to enjoy it.
I should climb one of the trees for a wider look.

The sounds of the storm were glorious with
wild exuberance of light and motion.
Bending and swirling backward and forward, round and round,
in this wild sea of pines.

The storm-tones died away, and turning toward the east,
I beheld the trees, hushed and tranquil.
The setting sun filled them with amber light, and seemed to say,
“Come to the woods, for here is rest.”

Taken from writings by John Muir, adapted by the composer.

The Soul, Like the Moon

$
0
0

 
Contact Us to acquire the score and parts.
 

Lunar Ensemble. Lisa Perry, soprano. Gemma New, conductor.

Instrumentation:
Soprano
Flute
Clarinet
Violin
Cello
Piano
Percussion

Text by Lalla (14th-century sufi/mystic poet from the Kashmir region of India)

Day will be erased in night
Day will be erased in night.
The ground’s surface will extend outward.
The new moon will be swallowed
in eclipse, and the mind in meditation
will be completely absorbed
by the Void inside it.

The Soul, Like the Moon
The soul, like the moon,
is new, and always new again.
[And I have seen the ocean
continuously creating.]
Since I scoured my mind
and my body, I too, Lalla,
am new, each moment new.
My teacher told me one thing,
live in the soul.
When that was so,
I began to go naked,
and dance.

Dance, Lalla, with Nothing On
Dance, Lalla, with nothing on
but air. Sing, Lalla,
wearing the sky.
Look at this glowing day!  What clothes
could be so beautiful, or
more sacred?

Text translated by Coleman Barks. Used with permission.

The Hope of Loving

$
0
0

 
Commissioned by Grammy-nominated Seraphic Fire and conductor Patrick Dupré Quigley.
The commissioning of this work was made possible by the support of the Ann Stookey Fund for New Music.
 

Listen

The world premiere is October 14, 2015. A recording will be available after that time.
 

View the Score


 

About the Work

Coming soon.
 

Text

The Hope of Loving

I. Yield To Love (Rabia)
I know about love the way the fields know about light, the way the forest shelters us.
We are vulnerable like an infant.
We need each other’s care or we will suffer.
How will you ever find peace unless you yield to love?

II. Wild Forces (St. Francis of Assisi)
There are beautiful, wild forces within us.
Let them turn millstones inside filling bushels that reach to the sky.

III. Wondrous Creatures (Hafiz)
O wondrous creatures, by what strange miracle do you so often not smile?

IV. The Heart’s Veil

V. My Soul Is A Candle (St. John of the Cross)
My soul is a candle that burned away the veil; only the glorious duties of light I now have.
The soul is a candle that will burn away the darkness; only the glorious duties of love we will have.
Tenderly, I now touch all things, knowing one day we will part.

VI. The Hope of Loving (Meister Eckhart)
What keeps us alive, what allows us to endure? I think it is the hope of loving, of being loved.
We weep when light does not reach our hearts. We wither like fields if someone close
does not rain their kindness upon us.
My soul has a purpose, it is to love.

[Text adapted from Love Poems from God: Twelve Sacred Voices from the East and West by Daniel Ladinsky.]

Good Night, My Love

$
0
0

Commissioned by the Marietta College Concert Choir. Daniel Monek, conductor.
 

Listen


 

View the Score




 

Text:

Good-Night
Paul Laurence Dunbar

The lark is silent in his nest,
The breeze is sighing in its flight,
Sleep, Love, and peaceful be thy rest.
Good-night, my love, good-night, good-night.
Sweet dreams’ attend thee in thy sleep,
To soothe thy rest till morning’s light,
And angels round thee vigil keep.
Good-night, my love, good-night, good-night.
Sleep well, my love, on night’s dark breast,
And ease thy soul with slumber bright;
Be joy but thine and I am blest.
Good-night, my love, good-night, good-night.

One Flock

$
0
0

Commissioned by Schola Cantorum on Hudson. Dr. Deborah King, conductor. World premiere May 21, 2016 in New York, NY.
 

The Story

Coming soon.
 

Listen

Coming soon.
 

View the Score

Coming soon.
 

About the Work

Coming soon.
 

Text

One Flock
by Todd Boss

Look, overhead! A thousand starlings! A murmuration!
One flock, wing to wing, they twist and sing and pitch and roll.
A living smoke, pulsing dark across the sun—
grounding us in our earthly home.

Home is where the voices of the world become one. 

—Whose nest is best, lover? 
—Our nest. 
—Our nest. 
—Whose breast restores you, lover? 
—Your breast, lover. 
—Yours.

Everything we own is earned. 
Everything we own was ours to be won. 
Everything under the sun 
belongs to us. 

That’s where he proposed to me, under that tree, sweet memory—
This is where your mother is buried, all she carried lifted free—
Here, at this bend in the river, here is where I’ll build our next house.
There on the corner, in the lamplight, that’s where I first saw her—

Fire! 
Wildfire!
The trees, the water, the sky is on fire!
 
Flames!   Cinder!   A roar of thunder, 
the terror draws nearer…a furor of fire! 

Our nest, lover! No … !
Where are you going? Wait! Wait!
Everything we own is burned … !
Our tree is crowned in flame … !
The churchyard an inferno … !
To the river! Hurry!
My corner of paradise! Gone …

Everything we own is burned.
The home we loved is in ruins, ashes.
Our nest. Our rest. Our comfort. Gone.

We must fly, we must fly away—
Lift our weary wings and go.

Maybe we are like the birds
all over the war-torn world, 
one flock of humanity,
one flock.
One.

The Soul, Like the Moon

$
0
0

 
Contact Us to acquire the score and parts.
 

Lunar Ensemble. Lisa Perry, soprano. Gemma New, conductor.

Instrumentation:
Soprano
Flute
Clarinet
Violin
Cello
Piano
Percussion

Text by Lalla (14th-century sufi/mystic poet from the Kashmir region of India)

Day will be erased in night
Day will be erased in night.
The ground’s surface will extend outward.
The new moon will be swallowed
in eclipse, and the mind in meditation
will be completely absorbed
by the Void inside it.

The Soul, Like the Moon
The soul, like the moon,
is new, and always new again.
[And I have seen the ocean
continuously creating.]
Since I scoured my mind
and my body, I too, Lalla,
am new, each moment new.
My teacher told me one thing,
live in the soul.
When that was so,
I began to go naked,
and dance.

Dance, Lalla, with Nothing On
Dance, Lalla, with nothing on
but air. Sing, Lalla,
wearing the sky.
Look at this glowing day!  What clothes
could be so beautiful, or
more sacred?

Text translated by Coleman Barks. Used with permission.


Didn’t My Lord Deliver Daniel

Reflections

$
0
0

Commissioned by the Santa Fe Desert Chorale with support from Jane Oaks. Joshua Habermann, conductor.
 

The Story

Henry David Thoreau is an icon of North American culture. An outsider, abolitionist, protestor, humanist, and respected writer of many works including his lauded Walden, Thoreau experimented with the idea of simple living and drew life-affirming meaning from communion with the natural world. For two years, he lived in a self-made hut on Walden Pond, a small lake not far from Boston, and kept a journal of his musings, meditations, and experiences. The journal entries are packed with beauty both in language and content, and they illuminate the complexity of the human condition through metaphors inspired by Thoreau’s secluded interactions at the pond.

For “Reflections,” I selected two excerpts from Thoreau’s journals that explore the essential value of seizing opportunities and living fully, without sacrificing the vital wellsprings of introspection and reflection. I chose the image of water as the sonic and visual inspiration for this work and utilize the interval of the perfect fifth as the prominent musical motive — an interval of stability, groundedness, and peace. The opening section bustles like a swiftly flowing stream — its water rushes along on its journey as it touches each rock, each surface, exploring all possible avenues. The piano oscillates between two consecutive perfect fifths that gradually shift and descend by step. The choir rides the wave of this figure with Thoreau’s words “We live but a fraction of our life. We do not fill all our pores with our blood.” In the second section, the rushing water empties into a calm lake with a perfect reflection on its tranquil surface. Perfect fifths continue to permeate the melodies and harmonies, and the vocal lines are reflected in “the calmness of the lake when there is not a breath of wind.” And as we peer more deeply into the crystalline water, “our depths are revealed to ourselves.”
 

Listen


 

View the Score

 

Text

Reflections

We live but a fraction of our life.
We do not fill all our pores with our blood;
we do not inspire and expire fully and entirely enough,
so that the wave of each inspiration
shall break on our farthest shores,
rolling ’til it meets the sand which bounds us,
and the sound of the surf comes back [to us].
Why do we not let on the flood,
raise the gates,
and set all our wheels in motion?

There is the calmness of the lake
when there is not a breath of wind;
so it is with us.
Sometimes we are clarified and calmed
as we never were before.
We become like a still lake of purest crystal
and without an effort
our depths are revealed to ourselves.
All the world goes by us
and is reflected in our deeps.
Such clarity!
Obtained by such pure means!
By simple living,
by honesty of purpose.
To be calm, to be serene!

Taken from journal writings by Henry David Thoreau, adapted by the composer.

Please Stay

$
0
0

Commissioned by the Ohio Choral Directors Association College & University Commissioning Consortium.
 

The Story

In 2013, suicide took the lives of 41,149 people in the USA alone. Depression affects about 20 million people in the USA, 350 million worldwide. Mental health disorders are serious issues in our culture and it is important that we have open conversation about their existence and that we show support to those who are battling them.

To Write Love On Her Arms is a nonprofit movement dedicated to presenting hope and finding help for people struggling with depression, addiction, self-injury, and suicide. Their 2016 campaign for World Suicide Prevention Day was titled “And So I Kept Living.” Using the hashtag #IKeptLiving, thousands of individuals who battle depression shared their stories on Twitter as to why they chose to life over death. I read through and collected hundreds of the tweets and used them to inspire the text for this work.

“Please Stay” is an anthem for hope — an attempt to destigmatize mental illness and challenge all of us to support those who are battling depression and thoughts of suicide. You are not alone. We can make a difference. We can be the support system that saves a life.

Give voice to hope: Share your #ReasonsToStay on Twitter. #PleaseStay

A portion of the proceeds from this work will be donated to the American Foundation for Suicide Prevention.

[For some people, depression may lead to thoughts of suicide. Try to remember that you don’t have to act on these thoughts, no matter how overwhelming they might be. If you’re considering ending your life, it’s important that you talk to someone right away. If you’re in a crisis, you can also call The National Suicide Prevention Lifeline at 1-800-273-TALK to get immediate help.]
 

Resources:

American Foundation for Suicide Prevention
Kristin Brooks Hope Center (IMAlive)
National Suicide Prevention Lifeline (1-800-273-TALK)
Reach Out – Get through tough times.
Suicide Fact Sheet (CDC)
To Write Love On Her Arms
 

Text:

Please Stay

No! Don’t go!

Don’t let your worst day be your last.
The storm is strong, but it will pass.
You think you can’t go on another day,
but please stay. Just stay.

Hope is real. Help is real.
You are breath, you are life,
you are beauty, you are light.

Your story is not over.
You are not a burden to anyone.

Please stay. Just stay.

[Text adapted from tweets using #IKeptLiving — expressions
of hope from those who battle depression and chose to live.]

Good Night, My Love (Solo)

$
0
0

 
This is an arrangement for solo voice and piano made from the choral version of “Good Night, My Love.”

Listen

SATB choral version:

 

View the Score




 

Text:

Good-Night
Paul Laurence Dunbar

The lark is silent in his nest,
The breeze is sighing in its flight,
Sleep, Love, and peaceful be thy rest.
Good-night, my love, good-night, good-night.
Sweet dreams’ attend thee in thy sleep,
To soothe thy rest till morning’s light,
And angels round thee vigil keep.
Good-night, my love, good-night, good-night.
Sleep well, my love, on night’s dark breast,
And ease thy soul with slumber bright;
Be joy but thine and I am blest.
Good-night, my love, good-night, good-night.

Store

$
0
0
JR Music Logo
 

Important Information:

Choral Works
All choral works are sold as digital scores. Once purchased, you will receive an email within 3 business days with a specifically licensed score for printing. If you need fewer copies than the minimum amount, please complete a Special Order request. Rush orders are not available – please plan accordingly.
Dealers
Dealers wishing to distribute music, click here.
Hours
While the online store is open 24/7 to take your orders, our support team is available for questions and filling orders Monday-Friday 8am-5pm Central. Orders placed over the weekend will be filled the following week. Thank you for allowing us to have a healthy work/life balance!
FAQs
Have a question? Please read the JR Music Store FAQs here.

Products

Viewing all 20 articles
Browse latest View live